Last Summer Roll.
A conversation with De Luca Emanuele, the photographer behind a Classic Negative recipe built to preserve feelings, not just colors.
De Luca Emanuele built Last Summer Roll to hold on to a feeling: the warm, fading light at the end of a season, and the quiet nostalgia of finishing one last roll before summer slips away. It has since become one of the most saved recipes on Filmsim. We asked him about the thinking behind every choice.
The name "Last Summer Roll" feels nostalgic, like the memory of something you don't want to let go. What is the story behind that name?
The name came from a very simple but emotional idea: the feeling of finishing the last roll of film at the end of summer. That moment when the light is still warm, the days are getting shorter, and you realize the season is slowly fading away. There is always a bit of nostalgia in that moment. I wanted this recipe to capture exactly that feeling, the warmth, the memories, and the quiet beauty of a summer you wish you could hold onto just a little longer.
You chose Classic Negative as your base simulation. What is it about Classic Negative that drew you to it?
Classic Negative has a very distinctive character. It has strong contrast, rich colors, and a slightly vintage look that reminds me of old film prints. I felt it was the perfect foundation for a recipe that aims to evoke memories and create a cinematic, nostalgic atmosphere.
"I was looking for a balance that could bring warmth to skin tones and sunlight without becoming too orange."
De Luca Emanuele, on the White Balance
Your White Balance is Auto +3 Red, −5 Blue, one of the warmest shifts you can dial in. How did you land on those numbers?
I spent quite a lot of time experimenting outdoors in different lighting conditions. I was looking for a balance that could bring warmth to skin tones and sunlight without becoming too orange. The shift toward red and away from blue helped me achieve that golden summer tone that defines the look and mood of the recipe.
Highlight at −2 is a strong rolloff. Was that a deliberate mood decision or something more practical?
It was both an aesthetic and practical choice. Lowering the highlights helps preserve details in bright summer light and creates a softer, more film-like rolloff. It also contributes to the nostalgic atmosphere I was trying to achieve.
Grain Weak but Small, you kept it subtle and tight. What role does grain play, and why keep it restrained?
Grain plays an important role in giving the image a film-like character. However, I did not want it to dominate the photograph. Keeping it small and subtle allows the texture to be present without distracting from the scene. It adds a gentle analog feeling while keeping the image clean and balanced.
Last Summer Roll
You added a Smooth Skin Effect at Weak, which many recipe creators skip. What made you add it?
I often photograph people and family moments, so I wanted skin tones to look natural and pleasant. Setting Smooth Skin Effect to Weak helps soften the skin slightly without removing detail. It complements the warm, nostalgic look and works nicely for portraits and everyday moments.
What kind of photographer do you think will connect most with Last Summer Roll?
I think it will resonate with photographers who enjoy everyday storytelling: people who love capturing family moments, summer light, travel memories, and simple scenes of daily life. Even though it was inspired by summer nostalgia, it turned out to be incredibly versatile. I have also used it in winter, especially in the mountains, and the results were truly amazing. In the end, it is a recipe made to preserve feelings, not just colors.
"Thank you to Fujifilm Shooters for the opportunity, and for supporting the community of photographers who love creating and sharing film simulation recipes. It is always inspiring to see how people interpret and use them in their own way."
De Luca Emanuele


